Every fall dozens of ski movies with high-production values are released as foreplay to the oncoming winter. Most these movies are largely ignored by or totally obscured from those who don’t get their kicks in the snow. Most of the movies also shy away from being political—viewers tend not to like mixing politics with their porn.
But one ski movie released this fall, “Almost Ablaze” by Teton Gravity Research, stands out for peeking behind the Olympic curtain. Amidst the normal jaw-dropping fare of heli-skiing in Alaska, waist-deep powder in Wyoming’s Tetons and elsewhere, TGR takes cameras and a gold medalist to an Olympic wasteland.
A few weeks after the $51 billion Sochi 2014 Winter Olympics, slopestyle gold medalist Joss Christensen went to the Balkans. The juxtaposition between Sochi and the ruins of the Sarajevo 1984 games is striking. After Putin and his oligarchs spent lavishly to show the world Russia’s ideal self, 30-year-old vacant buildings covered in graffiti and speckled with bullet holes make up a large part of the forlorn Olympic infrastructure in Sarajevo.
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