While bored in New York City on a chilly winter night I decided to venture out and see a movie at the IFC Center in the West Village. Of all the cinematic offerings in NYC, I specifically wanted to go there because I had significant influence on the economic conditions that allowed IFC to acquire the historic Waverly Theater in the early 2000’s. My claim of great influence on the media outlet formerly-known-as Independent Film Channel is less self-aggrandizing than it is a comment on the ridiculousness of the Nielsen rating system in the 1990’s that allowed a horny teenager like myself the viewing power of tens of thousands.
It was hard for a teenage boy in the mid-1990’s to set his eyes on the disrobed female form. My childhood home in rural Connecticut didn’t have dial-up Internet until 1999, so I would have to wait until my later teenage years to discover online porn. My family’s cable plan didn’t include premium—uncensored—cable stations, but it did include the newly founded Independent Film Channel. The channel didn’t fit my tastes of sports, action movies and sophomoric comedy so I largely paid it no mind.
Then one day while flipping through the channels I stumbled upon Walkabout, a 1971 film by Nicolas Roeg about two white kids stranded in the Australian Outback who were helped by an Aboriginal youth on his coming-of-age walkabout. I had read the book of the same title by James Vance Marshall in seventh grade, so the film sparked my interest. Then with no lead up, the protagonist, a teenage girl played by British actress Jenny Agutter, is shown swimming naked in a remote water hole exposing all that she was born with. The scene was far from sexual, but for a small-town teenager from a church-going family, all female nudity was sexual.
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